CAN is the only organization in America integrating promotion, marketing, art consulting,
and exhibitions in a professional gallery environment.

Working with some of the world’s best art critics and curators, CAN is focused on new
effective strategies engaging artists in a sustained multimedia campaign.

Unlike a regular gallery, CAN is an inclusive organization -- it creates a broader platform for a wider range of artists.

It champions the work of emerging and mid-career artists, creating a resource of
contemporary painting, sculpture and photography.

It is open to the public from 12 to 6 pm and by appointment.

For more information, please call 212-354-2999 or email us.






SPACE

Our space occupies the entire fifth floor (4,000 sq.ft) at 580 Eighth Avenue and 38th Street.

It incorporates five separate galleries, which allows to hold several simultaneous exhibitions.

Conveniently located between Penn Station and the Port Authority, near Times Square and the New York Times building, CAN is easily accessible by car, bus (M104, M20, M10), or subway (A, C, E, N, R, 1, 3).

CONTRIBUTORS

	Phyllis Braff was an Art Critic for The New York Times, Long Island Section, 1981-2003, and a President of the International Association of Art Critics, USA Section.
	Marvin Brown is a New York based artist. He has been exhibiting his work since 1962 in numerous galleries and museums, including MoMA and the Whitney. He has been an active member of the American Abstract Artists.
	Kim Levin is a former contributor to the Village Voice and a President of the International Association of Art Critics (AICA).
	Barbara MacAdam is a Deputy Editor of ARTnews.
	Lilly Wei is a contributing editor at ARTnews, Art Asia Pacific and a member of the International Association of Art Critics, Art in General, and Art Omi. She has been the essayist for many catalogs, including the Albright-Knox Art Gallery, and the Metropolitan Museum of Art.
	Robert C. Morgan is a Contributing Editor to Sculpture Magazine. He lectures at Pratt Institute and the School of Visual Arts in New York. In addition to his many books and essays (translated in 16 languages), Professor Morgan has curated over 60 exhibitions, including Komar and Melamid (1979-80), and Max Ernst: The Late Prints (1989)